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News: INTERVIEW: Matthew Cusick in The Hidden People, December 31, 2011 - Amelie Malmgren

INTERVIEW: Matthew Cusick in The Hidden People

December 31, 2011 - Amelie Malmgren

Matthew Cusick is an artist to know, understand and admire. Inspired by topography, he uses vintage map cutouts as a surrogate for paint and creates the most compelling
pieces of art.

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News: REVIEW: Rebecca Carter in Arts+Culture DFW, December  1, 2011 - Andy Amato

REVIEW: Rebecca Carter in Arts+Culture DFW

December 1, 2011 - Andy Amato

In the intimate space of the reading room, Rebecca Carter thoughtfully offers up...

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News: PRESS RELEASE: Dornith Doherty - Stockpile, November 19, 2011 - Holly Johnson Gallery

PRESS RELEASE: Dornith Doherty - Stockpile

November 19, 2011 - Holly Johnson Gallery

In this new body of work, Doherty explores the role of seed banks and their preservation efforts...

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News: REVIEW: Dion Johnson in Artforum, November  1, 2011 - Ben Lima

REVIEW: Dion Johnson in Artforum

November 1, 2011 - Ben Lima

Dion Johnson's paintings are vivid and crisp, composed of tightly compressed contours that jostle each other in overlapping rows and long narrow layers...

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News: PRESS RELEASE: Gael Stack - Forty One Songs, October 15, 2011

PRESS RELEASE: Gael Stack - Forty One Songs

October 15, 2011

Holly Johnson Gallery is pleased to announce the opening of Forty One Songs, an exhibition of drawings by Gael Stack...

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News: BOOK RELEASE: Gael Stack monograph by UT Press, October  1, 2011 - UT Press

BOOK RELEASE: Gael Stack monograph by UT Press

October 1, 2011 - UT Press

Gael Stack is the first retrospective monograph on the artist's career, which has spanned four decades...

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News: REVIEW: Todd Chilton review by Stephanie Cristello, October  1, 2011 - Stephanie Cristello

REVIEW: Todd Chilton review by Stephanie Cristello

October 1, 2011 - Stephanie Cristello

Todd Chilton’s Pink and Green Combs, 2011 focuses on the edge as both a systematic and unifying element, as well as a divider. Perfectly interlaced, the woven strokes of paint optically create a tunnel, using pure color as a tool to create depth and exposing its illusion by the strict and traceable pattern of the brush to the surface... 

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News: REVIEW: Todd Chilton in The New York Times, September  8, 2011 - Ken Johnson

REVIEW: Todd Chilton in The New York Times

September 8, 2011 - Ken Johnson

In his brief introduction to this buoyant show of abstract paintings, Feature’s director, the single-named Hudson, writes that he finds an essential magic in “how the artist leaks the personal into the formal...”

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